![]() the chorale, more solemn than expressive, in common timeīoth layers are coexisting peacefully on top of each other as the underlying pulse is identical.the solo group, Bass soloist and Continuo, dancing tentatively in 12/8.Mein teurer Heiland, lass dich fragen consists of two musical layers: Take a look at this aria from Johann Sebastian Bach’s Johannespassion (click for a pdf): ![]() As it happens, the problem discussed on the forum is not exactly a 21st century problem. Somebody needed to create polymeters with metric modulations. ![]() I first read about the pick-up trick on the Dorico forum, in a thread about complex polymeters in contemporary music. Johann Sebastian Bach: Mein teurer Heiland, laß dich fragen The problem Let me show you a real world example, a piece from the core repertoire that would be impossible to notate in Dorico 1.2 without dressing up a time signature. And I can see your furrowed brows as you’re wondering whether I’ve written up a whole Scoring Notes post about a workaround that’s no longer useful except for bad jokes. I suppose most of you are not inclined to fool your players. I could just type 13/16,10 but then I would have to adjust the beaming manually because the internal beaming scheme of a 13/16 bar is obviously different from a 5/8 bar.Ah well. This can be fixed.Ĭome to think of it… In the pop-over, specifies the beam grouping for the first bar. Yes, I know about the bar rest in the first bar.
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